Empire of the Sun, known for their futuristic sounds and experimental concepts, skyrocketed to fame after their double platinum single, […]
Music video channels almost used to be a part of growing up – you’d flick through with your friends, make fun of their outfits and sing along to your favourite tunes back in the day. But the slow death of music outlets (MTV being the most obvious example) is a reflection of how we no longer care about the visual extravaganza.
So if you haven’t been living in a cave you’ll know that Katy Perry is back with a desperate need to become relevant again. Not confident that her music can carry itself, she thought it necessary to re-ignite a 5 year old tiff with Taylor Swift in order to boost record sales for her new album, Witness.
For decades, grime has prided itself in being the fast-paced lyrical narrative of the black working class, with rappers like Hackney born and bred JME professing how ‘the music originated and will always remain in the streets’. But with the recent success of grime artists such as Stormzy resulting in a move from the urban hubbub of Croydon to the gold-lined streets of Chelsea, are rappers becoming disconnected from the streets they came from?
I remember when I first heard TDCC (Two Door Cinema Club) on the radio. It was 2009, I was but a lowly 14 year old, Radio X was still XFM, and I fell in love with a little song called ‘I Can Talk’, which, unbeknownst to this Myspace band, would later come to be the encore for their sold-out comeback tour.
Yep, you guessed right, it’s that time of the year again. The time when magazines and music websites alike give us a generic list of best albums throughout the year. Well, luckily for you we don’t work like that. In a one-off special, three members of the Music Bloggery team argue their case for their best album of 2016, and you can even vote on our Twitter page if you’re keen enough.